In this first picture, I've started pinning the muslin to my dummy (Beatrice). I'm working with a vintage newspaper pattern for a "soutien gorge" and it included two different cup styles - a four panel cup and a two panel, vertical seam cup. I am not really sure which I am likely to be happier with so I figured I would drape both and see what I get.
This photo shows the seams that define the center front panels of the bra cup. Given that I am a "bit" (ahem) more busty than the average gal of the 1930's, I can't just work from the dimensions given for the panels in the article. A center bust seam of 3 inches would be laughable. I'm pretty sure that falling out over and under the garment would ruin the effect!
Moving on, my first pass with the pins is meant to get the general form in place, followed by tweaking to ensure that the fabric is smooth and not stretched out of shape or too far on the bias. You don't want to have to do this twice - it's a great technique, but it is fiddly and repetition leads to frustration.
Another thing to bear in mind about any item you might drape a pattern for is that it is always easier to make a neckline lower than to bring one up...this holds true for anything except armscyes.
I also like to put in grading marks at this point since I won't have a better opportunity to align the pieces prior sewing up the first mock-up.
Neatening up and adding allowance will be done as part of transferring these pieces into a paper pattern. You could use them as is and lay them out on the fabric you intend to use for your mock-up and add seam allowances at that point, but I find I screw up less by taking the extra step of putting it all on paper. I'm sure you can imagine what a mess leaving out SA's can make of a garment!
Okay, as I said, I am still not in the best of health, so I am going to close here and will post the draping for the other cup style as soon as I can.
Nyquil, take me away!
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